Skip to Content
Home
Prints and originals
About
Keith McBride Art Gallery
Login Account
0
0
Home
Prints and originals
About
Keith McBride Art Gallery
Login Account
0
0
Home
Prints and originals
About
Login Account
Prints and originals Skeleton original artwork
Skeleton artwork for sale Image 1 of 4
Skeleton artwork for sale
Macabre artwork for sale Image 2 of 4
Macabre artwork for sale
Keith McBride original macabre art for sale framed and ready to hang Image 3 of 4
Keith McBride original macabre art for sale framed and ready to hang
Free delivery for artwork Image 4 of 4
Free delivery for artwork
Skeleton artwork for sale
Macabre artwork for sale
Keith McBride original macabre art for sale framed and ready to hang
Free delivery for artwork

Skeleton original artwork

£4,000.00
sold out

A brilliant, bone-dry satire on life, death, and the noise in between—this collage demands a double take and delivers a lasting impression.

Add To Cart

A brilliant, bone-dry satire on life, death, and the noise in between—this collage demands a double take and delivers a lasting impression.

A brilliant, bone-dry satire on life, death, and the noise in between—this collage demands a double take and delivers a lasting impression.

Keith McBride’s skeleton collage, crafted entirely from old magazine clippings, is a sharp and satirical piece that fuses humor, existentialism, and pop culture critique into one hauntingly clever visual. At first glance, the image of a skeleton resting its chin on a hand—posed in mock thoughtfulness—is arresting. But it’s the surrounding chaos of cut-up text and bold typography that turns this artwork into a deeper, more biting commentary.


The scattered phrases and headlines enveloping the figure—along with the central, bold question: “ANY QUESTIONS, COMMENTS OR CONCERNS?”—evoke a sense of media overload, corporate coldness, and societal apathy. The skeleton, rendered with surprising anatomical detail using slivers of headlines and product names, becomes a metaphor for the stripped-down human underneath the noise of consumerism and information excess. The pops of neon color give the work a jolt of modern urgency, suggesting that even in death—or in silence—there’s no escaping the cultural barrage.


This piece is more than just a visual joke; it’s a meditation on mortality in the age of media saturation. It’s witty, unsettling, and layered—both literally and conceptually.